<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[Romina Tosi]]></title><description><![CDATA[Progettazione e promozione di moda, gestione creativa e strategica del marchio attraverso campagne pubblicitarie e comunicazione.]]></description><link>https://www.rominatosi-tatastyle.com/blog</link><generator>RSS for Node</generator><lastBuildDate>Wed, 17 Jun 2026 14:43:26 GMT</lastBuildDate><atom:link href="https://www.rominatosi-tatastyle.com/blog-feed.xml" rel="self" type="application/rss+xml"/><item><title><![CDATA[Fashion does not have a price problem. It has a value problem]]></title><description><![CDATA[Why can a €3,000 handbag feel like a worthwhile purchase, while a €300 one can seem overpriced? The answer does not lie in the number on the price tag. It lies in the value that bag is able to convey. Today, fashion is facing an interesting contradiction. Inside companies, conversations revolve around margins, tariffs, artificial intelligence, sustainability, rising costs, and production efficiency. Outside, people fall in love with a pair of sneakers they saw on social media, search for a...]]></description><link>https://www.rominatosi-tatastyle.com/en/post/fashion-does-not-have-a-price-problem-it-has-a-value-problem</link><guid isPermaLink="false">6a31552781f132661c6d9386</guid><pubDate>Tue, 16 Jun 2026 13:55:51 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/c64abc_6f1e8d3d8ade4b809a92492435928c6d~mv2.jpg/v1/fit/w_1000,h_906,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Romina Tosi</dc:creator></item><item><title><![CDATA[La moda non ha un problema di prezzo. Ha un problema di valore.]]></title><description><![CDATA[Perché una borsa da 3.000 euro può sembrare un buon acquisto e una da 300 euro può sembrare troppo cara? La risposta non sta nel numero sull’etichetta. Sta nel valore che quella borsa riesce a trasmettere. La moda oggi si trova davanti a una contraddizione interessante. Dentro le aziende si parla di margini, dazi, intelligenza artificiale, sostenibilità, aumento dei costi e organizzazione della produzione. Fuori, le persone si innamorano di una sneaker vista sui social, cercano una giacca...]]></description><link>https://www.rominatosi-tatastyle.com/post/la-moda-non-ha-un-problema-di-prezzo-ha-un-problema-di-valore-1</link><guid isPermaLink="false">6a314ffda3667807a6574eea</guid><pubDate>Tue, 16 Jun 2026 13:47:26 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/c64abc_84ebc16578be4f42862366c0537a456b~mv2.jpg/v1/fit/w_1000,h_906,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Romina Tosi</dc:creator></item><item><title><![CDATA[Da Anna Wintour agli intoccabili della moda: chi cambia davvero le regole?]]></title><description><![CDATA[Questa riflessione nasce dopo aver letto l’articolo di Vanity Fair su Anna Wintour, in cui la direttrice di Vogue indica quattro designer che considera “intoccabili”: Karl Lagerfeld, Gianni Versace, Virgil Abloh ed Elsa Schiaparelli. https://www.vanityfair.it/article/anna-wintour-quattro-designer-intoccabili-la-lista-meno-ovvia-del-previsto?utm_source=whatsapp&#38;utm_medium=social&#38;utm_campaign=brand&#38;utm_content=null&#38;utm_social-type=owned Mi ha riportato a un tema che avevo già affrontato...]]></description><link>https://www.rominatosi-tatastyle.com/post/da-anna-wintour-agli-intoccabili-della-moda-chi-cambia-davvero-le-regole</link><guid isPermaLink="false">6a295737b34d9652f553b96d</guid><pubDate>Wed, 10 Jun 2026 13:21:58 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/c64abc_0eb2a4ce021c470cb9294736dd6b8caa~mv2.png/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Romina Tosi</dc:creator></item><item><title><![CDATA[The Devil Wears Prada 2 Is Not Just a Sequel. It's a Story About Who Really Controls Fashion Today]]></title><description><![CDATA[I finally watched the much-discussed The Devil Wears Prada 2. In the first film, I saw myself in it. The dynamics, hierarchies, subtle cruelties, and quiet forms of violence felt familiar, even when the movie pushed them to cinematic extremes. In the sequel, what I felt most was that I was watching a beautifully dressed commercial operation. Dismissing it as a nostalgic sequel, however, would be too easy. Behind the return of Miranda, Andy, Emily, and Nigel lies a more interesting idea: the...]]></description><link>https://www.rominatosi-tatastyle.com/en/post/the-devil-wears-prada-2-is-not-just-a-sequel-it-s-a-story-about-who-really-controls-fashion-today</link><guid isPermaLink="false">6a29510df8e7e84c72bf4c77</guid><pubDate>Wed, 10 Jun 2026 13:19:49 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/c64abc_d8a60fa2a848498c8cae55fc3a5e0641~mv2.png/v1/fit/w_1000,h_906,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Romina Tosi</dc:creator></item><item><title><![CDATA[From Anna Wintour to the Untouchables of Fashion: Who Really Calls the Shots?]]></title><description><![CDATA[This reflection was inspired by reading Vanity Fair’s article on Anna Wintour, in which the Vogue editor names four designers she considers “untouchable”: Karl Lagerfeld, Gianni Versace, Virgil Abloh, and Elsa Schiaparelli. https://www.vanityfair.it/article/anna-wintour-quattro-designer-intoccabili-la-lista-meno-ovvia-del-previsto?utm_source=whatsapp&#38;utm_medium=social&#38;utm_campaign=brand&#38;utm_content=null&#38;utm_social-type=owned This reflection came to me after reading Vanity Fair’s article on...]]></description><link>https://www.rominatosi-tatastyle.com/en/post/from-anna-wintour-to-the-untouchables-of-fashion-who-really-calls-the-shots</link><guid isPermaLink="false">6a295e1fa37a3e632039dce2</guid><pubDate>Wed, 10 Jun 2026 12:57:51 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/c64abc_0eb2a4ce021c470cb9294736dd6b8caa~mv2.png/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Romina Tosi</dc:creator></item><item><title><![CDATA["Il diavolo veste Prada 2" non è solo un sequel, è il racconto di chi comanda davvero la moda oggi]]></title><description><![CDATA[Finalmente ho visto il tanto commentato "Il diavolo veste Prada 2". Nel primo film mi riconoscevo. Dinamiche, gerarchie, crudeltà leggere e violenze sottili, anche quando il cinema le portava al limite. Nel secondo ho avuto soprattutto la sensazione di guardare un’operazione commerciale vestita benissimo. Liquidarlo come sequel nostalgico, però, sarebbe comodo e basta. Dietro il ritorno di Miranda, Andy, Emily e Nigel c’è un’idea più interessante. Il racconto di una moda che, dal 2006 a oggi,...]]></description><link>https://www.rominatosi-tatastyle.com/post/il-diavolo-veste-prada-2-non-%C3%A8-solo-un-sequel-%C3%A8-il-racconto-di-chi-comanda-davvero-la-moda-oggi</link><guid isPermaLink="false">6a2952697ed3925269471c1a</guid><pubDate>Wed, 10 Jun 2026 12:06:59 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/c64abc_274a0502cf8749888d9b9f9a94e14be1~mv2.png/v1/fit/w_1000,h_627,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Romina Tosi</dc:creator></item><item><title><![CDATA[Five Groups, Five Different Visions of Luxury]]></title><description><![CDATA[When people talk about fashion, almost all the attention goes to brands. Gucci, Louis Vuitton, Prada, Cartier, Maison Margiela. Yet the decisions that truly matter are made elsewhere. Behind every brand stands a group. And it is the group that decides where to invest, how much to grow, where to open stores, which companies to acquire, and how much risk to take. To understand where luxury is heading, it helps to look less at advertising campaigns and more at the people making the decisions....]]></description><link>https://www.rominatosi-tatastyle.com/en/post/five-groups-five-different-visions-of-luxury-1</link><guid isPermaLink="false">6a26c5cfbcf454bfefdb354b</guid><pubDate>Mon, 08 Jun 2026 14:02:12 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/c64abc_54556916d49c49fea4b98ab9970e25db~mv2.png/v1/fit/w_1000,h_941,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Romina Tosi</dc:creator></item><item><title><![CDATA[Why the New Luxury Must Return to Explaining Product Value]]></title><description><![CDATA[Luxury has raised its prices. Now it needs to do a better job of explaining why. For years, many brands have relied on logos, scarcity, prestigious locations, and tightly controlled communication. It worked. Then customers started asking a simple question: "Why does it cost so much?" It's a legitimate question. The issue is not high prices. In luxury, high prices are part of the game. The problem begins when prices rise faster than perceived quality, creativity, service, and the brand's...]]></description><link>https://www.rominatosi-tatastyle.com/en/post/why-the-new-luxury-must-return-to-explaining-product-value</link><guid isPermaLink="false">6a26c10a7206e69ccb3a7921</guid><pubDate>Mon, 08 Jun 2026 14:01:06 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/c64abc_6e96c9fdb2ed47b0b5fdcc7a5f3c970f~mv2.png/v1/fit/w_1000,h_909,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Romina Tosi</dc:creator></item><item><title><![CDATA[Cinque gruppi, cinque idee diverse di lusso]]></title><description><![CDATA[Quando si parla di moda, quasi tutta l’attenzione va ai brand. Gucci, Louis Vuitton, Prada, Cartier, Maison Margiela. Eppure le decisioni che contano si prendono altrove. Dietro ogni marchio c’è un gruppo. Ed è il gruppo a decidere come investire, quanto crescere, dove aprire negozi, quali aziende comprare e quanto rischio assumersi. Per capire dove sta andando il lusso, conviene guardare meno le campagne e più chi prende le decisioni. Bernard Arnault e LVMH LVMH nasce in Francia nel 1987...]]></description><link>https://www.rominatosi-tatastyle.com/post/five-groups-five-different-visions-of-luxury</link><guid isPermaLink="false">6a26c68a55891951a59e0c5f</guid><pubDate>Mon, 08 Jun 2026 13:45:03 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/c64abc_54556916d49c49fea4b98ab9970e25db~mv2.png/v1/fit/w_1000,h_941,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Romina Tosi</dc:creator></item><item><title><![CDATA[Prima di creare, bisogna capire]]></title><description><![CDATA[Qualche giorno fa nss magazine ha pubblicato un post che ha attirato la mia attenzione: "La Gen Z deve conoscere il moulage". Il post è disponibile qui: https://www.instagram.com/p/DY7W-TxjAv8/ A prima vista può sembrare una riflessione rivolta solo a chi studia moda o lavora nel settore. In realtà tocca un tema molto più ampio: il rapporto tra conoscenza, competenza e creatività. Il moulage consiste nel costruire un capo direttamente sul manichino. Si lavora il tessuto con le mani, lo si...]]></description><link>https://www.rominatosi-tatastyle.com/post/prima-di-creare-bisogna-capire</link><guid isPermaLink="false">6a26baf34baca21821e18c1d</guid><pubDate>Mon, 08 Jun 2026 13:28:28 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/c64abc_fc8ca4187c5646c38cf8f1f73b8fc7d0~mv2.png/v1/fit/w_1000,h_907,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Romina Tosi</dc:creator></item><item><title><![CDATA[Perché il nuovo lusso deve tornare a spiegare il valore del prodotto]]></title><description><![CDATA[Il lusso ha alzato i prezzi. Ora deve spiegare meglio perché. Per anni molti brand hanno vissuto di logo, scarsità, location e comunicazione controllata. Ha funzionato. Poi il cliente ha iniziato a fare una domanda semplice: “Perché costa così?” È una domanda legittima. Il problema non è il prezzo alto. Nel lusso il prezzo alto fa parte del gioco. Il problema nasce quando il prezzo cresce più in fretta della qualità percepita, della creatività, del servizio e della capacità del brand di...]]></description><link>https://www.rominatosi-tatastyle.com/post/perch%C3%A9-il-nuovo-lusso-deve-tornare-a-spiegare-il-valore-del-prodotto</link><guid isPermaLink="false">6a26c2a8a8ab9685a6603121</guid><pubDate>Mon, 08 Jun 2026 13:27:45 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/c64abc_6e96c9fdb2ed47b0b5fdcc7a5f3c970f~mv2.png/v1/fit/w_1000,h_909,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Romina Tosi</dc:creator></item><item><title><![CDATA[Before you start creating, you need to understand]]></title><description><![CDATA[A few days ago, NSS Magazine published a post that caught my attention: *"Gen Z Needs to Know Moulage."* The post is available here: https://www.instagram.com/p/DY7W-TxjAv8/ At first glance, it may seem like a reflection aimed only at fashion students or professionals working in the industry. In reality, it touches on a much broader topic: the relationship between knowledge, expertise, and creativity. Moulage is the process of constructing a garment directly on a dress form. The fabric is...]]></description><link>https://www.rominatosi-tatastyle.com/en/post/before-you-start-creating-you-need-to-understand</link><guid isPermaLink="false">6a26ba62a7cc9d295b404187</guid><pubDate>Mon, 08 Jun 2026 13:06:11 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/c64abc_fc8ca4187c5646c38cf8f1f73b8fc7d0~mv2.png/v1/fit/w_1000,h_907,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Romina Tosi</dc:creator></item></channel></rss>